Masterclass | Montage

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The best definition of communication is still – to me – the ability to ‘deliver something as that something to someone.’  I mention this rule merely to re/affirm the central role of the audience as co-creator of any message that two or more parts exchange.  Now, let me introduce how montage has a role in that.

Traditionally, montage refers mostly, if not uniquely, to videos, while editing to written texts and, strange enough, to sequences of images. In this context, to avoid any confusion, Montage will be use as the noun defining the practice of editing any form of document. To indicate the action, we will use the verb to edit.

Montage is one of the 5 lessons of MIA.  These can be engaged in any order, even independently!, yet I would advise to follow this order: first Storytelling, then Aesthetics and Composition, and, finally, Montage and Storyboarding.

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Montage is key to the MIA’s framework, as the intentional arrangements of the storytelling in one of its many possibilities.

Montage is the practice of editing the parts of a whole to achieve a specific representation.  For instance, we all edit a text to avoid repetitions, as well as to clarify and give consistency to its sections. Rhetorics, as a long-established competency, is very much based on the intentional and purposeful arrangement of established structures by means of a set of dedicated rules.

Montage is one of the 5 lessons part of the MIA course.  These can be engaged in any order, even independently!, yet I would advise to follow this order: first Storytelling, then Aesthetics and Composition, and, finally, Montage and Storyboarding.  As mentioned, you can equally work on these 5 as self-standing lessons or complement them according to your liking.

MIA stands for the Meta-Image App, and this is the thoroughly enhanced version of the App that the Quintin Hogg Trust generously funded while I was leading the Digital and Interactive Storytelling LAB at the University of Westminster in London, UK.  MIA has been translating my expertise as a professional photographer and university professor into a consequential course to introduce foundational competencies in storytelling practices including key components in visual literacy, and it continues to evolve to respond to the latest requirements of today’s digital cultures.

Welcome to Montage!

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